![]() ![]() The practice of double notes has unfortunately all but disappeared in the American system. This is simply not so in America and some other western nations. One reason why Russian pianists are known for their solid technical abilities is that Russian students routinely practice double-note scales from a young age, which if done correctly, imbues pianists with incredible control, power, flexibility, and finger independence. ![]() This is an often neglected technique among American students, although it has been the cornerstone of the “Russian Piano School” for nearly two centuries. No scale system on scales would be complete without scales in double thirds and sixths. Symmetrical or Mirror Relationships in Double-Note Scales (25% Off) Get Volumes 1-3 (complete bundle) of Complete Guide to Major & Minor Scales at a big discount - PDF ![]() Get Volume 1 (Beginning to Intermediate, Grades 1-4) of Complete Guide to Major & Minor Scales - PDF | Hardcopy Get Volume 2 (Upper Intermediate to Advanced, Grades 5-7) of Complete Guide to Major & Minor Scales - PDF | Hardcopy ![]() Get Volume 3 (Advanced, Concert Level, Grades 8-11) of Complete Guide to Major & Minor Scales - PDF | Hardcopy This article explains and justifies the fingerings used in Volume 3 (the double-note volume) of BachScholar’s Complete Guide to Major & Minor Scales. Determining the most logical and practical fingerings for double-note scales is difficult and elusive. Practicing scales in double notes is difficult but highly rewarding, in that the required techniques involved imbue students with incredible control, power, flexibility, and finger independence. Largely neglected by students and teachers from America and other western nations, double-note scales have for at least two centuries been the cornerstone of the “Russian Piano School”. (Abstract) No scale system would be complete without scales in double thirds and sixths. ![]()
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